PDF Ebook Cane (Clydesdale Classics), by Jean Toomer

PDF Ebook Cane (Clydesdale Classics), by Jean Toomer

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Cane (Clydesdale Classics), by Jean Toomer

Cane (Clydesdale Classics), by Jean Toomer


Cane (Clydesdale Classics), by Jean Toomer


PDF Ebook Cane (Clydesdale Classics), by Jean Toomer

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Cane (Clydesdale Classics), by Jean Toomer

Autorenkommentar

Jean Toomer started his career as a teacher in Sparta, Georgia before becoming a lecturer and writer. He wrote extensively for The Dial and other magazines, as well as wrote numerous plays. After the downfall of his book Cane (1923), Toomer attended the Gurdjieff Institute in France and became a teacher of meditation. Though he is now known as one of the most prolific authors of the Harlem Renaissance, Toomer—like most famous artists—was not well-known or praised until after his death in 1967.

Über den Autor und weitere Mitwirkende

Jean Toomer started his career as a teacher in Sparta, Georgia before becoming a lecturer and writer. He wrote extensively for The Dial and other magazines, as well as wrote numerous plays. After the downfall of his book Cane (1923), Toomer attended the Gurdjieff Institute in France and became a teacher of meditation. Though he is now known as one of the most prolific authors of the Harlem Renaissance, Toomer—like most famous artists—was not well-known or praised until after his death in 1967.

Produktinformation

Taschenbuch: 244 Seiten

Verlag: Clydesdale; Auflage: Reprint (7. Januar 2020)

Sprache: Englisch

ISBN-10: 1945186801

ISBN-13: 978-1945186806

Größe und/oder Gewicht:

14 x 21 cm

Durchschnittliche Kundenbewertung:

5.0 von 5 Sternen

5 Kundenrezensionen

Amazon Bestseller-Rang:

Nr. 1.468.135 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Written in Post-Emancipation America, Jean Toomer's novel Cane represented a strong voice within the African-American community during an era where segregation was a way of life, and lynching was (in some areas of the country) an accepted means to an end. A conglomeration of images and metaphors, Cane is honestly a difficult text to read and should not be considered merely as an "easy" set of poems, prose, and stories. There are many intricate layers of meaning within the phrasing and style of writing. The title is a double meaning in itself. Upon hearing the title, one may think that it refers to the biblical tale of Cain and Abel. This is an important aspect since some religious Christian followers interpreted the "mark" of Cain as blackness, therefore using religion as propaganda for pro-slavery agendas. In addition, readers who are more conscious minded to the dynamics of the early 1900's concerning race relations, and its history (specifically in the South) would find this text less confusing. Some sections, which stand out within the text, are "Becky", "Song of Son", and "Blood Red Harvest".

This is perhaps one of my favorite works of literature I've ever read. This piece of literature uses poetry and short stories to portray the vast experiences of Afican-Americans in America. This novel (of sorts) opens your eyes and does so subtly and beautifully through various characters and the experiences they go through or fight against. Although written over fify years ago, Toomer's work relates well to the problems/concerns of race in America today. I feel this should be a required work in studying Modern American Literature and the African-American Experience. If there is a firm "canon" ever established, this should be included.

Readers who call Jean Toomer "black" or "African American" are totally in error. He rejected that racist "one drop" classification and deserves praise and admiration for doing so. Toomer's parents and grandparents were not "black middle class" but looked whiter than many Americans who call themselves "white."

Readers who call Jean Toomer "black" or "African American" are totally in error. He rejected that racist "one drop" classification and deserves praise and admiration for doing so. Toomer's parents and grandparents were not "black middle class" but looked whiter than many Americans who call themselves "white."

Toomer considered race arbitrary. Above all, he considered himself an American. Read this book; or, if nothing else, at least read "Blood-Burning Moon" to experience some extremely intense prose.

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